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LINE ART

RETROSPECTIVE LOOK AT THE DIVERSITY OF MY DRAWINGS

31.8.20

20200831a-b-c


 




20200831 CONNECTIONS pencil and acrylic on paper 70x100 cm


 

30.8.20

20200830-a-b




 

29.8.20

202020829-a pencil and acrylic on paper 70x100 cm



 

28.8.20

20200828/29 pencil and acrylic on paper 70x100 cm




 

20200828 pencil and acrylic on paper 70x100 cm


 

27.8.20

20200827a pencil and acrylic on paper 70x100 cm


 

20200827 pencil and acrylic on paper 70x100 cm


 

26.8.20

20200826 pencil and filler on acrylic on paper 70x100 cm


 

25.8.20

20200824a pencil and filler on acrylic on paper 70x100 cm

 

20200825 pencil and acrylic on paper 70x100 cm

 

24.8.20

20200824a-b-c



 

20200824 pencil and acrylic on paper 70x100 cm

 

23.8.20

20200823



 

21.8.20

20200821c

 

20200821a-b


 

20200821

 

20.8.20

20200820-a-b



 

19.8.20

20200819b pencil and filler on acrylic on paper 70x100 cm

 

20200819-a


 

18.8.20

202000818b 9 pairs of stics crossing. Pencil on acrylic on paper 70x100 cm

 

20200818-a pencil and filler on acrylic on paper 70x100 cm

 

20200817b-c


 

17.8.20

20200817a pencil, filler and acrylic on paper 70x100 cm

 

20200817 pencil and acrylic on paper 70x100 cm

 

16.8.20

20200815-a 20200816-a




 

15.8.20

20200815 pencil and acrylic on paper 70x100

 

20200814b

 

14.8.20

20200814a pencil and acrylic on paper 70x100 cm

 

20200814 pencil, fat crayons and acrylic on paper 70x100 cm

 

13.8.20

20200813-a-b-c








 

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KJELL VARVIN

KJELL VARVIN
Solvikveien 18
N-1363 HØVIK
cell:+47 92824096
phone +47 67122809
varvin@gmail.com


The themes that are spurring my fantasy are the stages of development from the first signs of patterns up to the precious instant of their fulfilment and then the following process of decay, where finally no pattern or order is recognisable. Especially intriguing are the processes of crystallisation. How it starts from zero and where the whole system suddenly seems to have accumulated enough energy to develop its special pattern. I like the thrill of observing the elements on the limit of equilibrium, the suspense just before collapse, where a fragile stability still holds the structures together.

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