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LINE ART
RETROSPECTIVE LOOK AT THE DIVERSITY OF MY DRAWINGS
23.4.05
PYR 4 from a series of drawings 70 x 100 cm
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FONTANE, acrylic on canvas 1974
GITTER, acrylic on plywood
ACQUA I-II 1984-85 pen drawing on paper, 2 panels...
INEVITABLES
PREPARATORIO, from the series INEVITABLES, 70 x 10...
TERRENO II, from the series INEVITABLES, 70 x 100 cm
TERRENO, from the series INEVITABLES, 70 x 100 cm
ARIA-ACQUA II, 1975, gouache
ARIA-ACQUA III, 1975, gouache
ARIA-ACQUA V, 1975 gouache
No 1, from The Sicilia Set, 1967
No 2, from The Sicilia Set, 1967
No 3 from The Sicilia Set, 1967
No 4 from The Sicilia Set, 1967
IV from the series FOGLIE 1977, drawings on folded...
XIX from the series FOGLIE 1977, drawings on folde...
XVII from the series FOGLIE 1977, drawings on fold...
BLUE SKY, 1969, gouache and pen
No 29 from the miniature series of SUMMER DRAWINGS...
from the series of SUMMER DRAWINGS
No 16 from the miniature series of SUMMER DRAWINGS...
water-84 c
WATER-84 b
WATER-84
THE RIVER, large drawing on 3 plywood panels
ARIA BIANCA drawing on plywood 122 x 122 cm
MADRID I three small drawings in Spain
MADRID II
MADRID III
CIRCULO
CALLE DI VENEZIA 1
CALLE DI VENEZIA
PYR-SUITE on FIRE
PYR 2 from a series of drawings 70 x 100 cm
PYR 4 from a series of drawings 70 x 100 cm
PYR 9 from a series of drawings 70 x 100 cm
ESFUERZOS
HIELMO
FURIA
SALTO
BODEGON I
BODEGON V
BODEGON IV
BODEGON III
four drawings on plywood 122 x 122 cm from the ser...
ALA III drawing on plywood 122 x 122 cm
ALA V FROM A SERIES OF DRAWINGS ON PLYWOOD 122 x ...
(64) THESE SUMMER DRAWINGS 2004 ARE MINIATURES ON...
FROM THE SERIES OF SUMMER DRAWINGS 2004 (62)
FROM THE SERIES OF SUMMER DRAWINGS 2004 (60)
FROM THE SERIES OF SUMMER DRAWINGS 2004 (57)
FROM THE SERIES OF SUMMER DRAWINGS 2004 (75)
FROM THE SERIES OF (99) SUMMER DRAWINGS 2004
«Are you composing a wall, or are ...
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SERIES OF DRAWINGS
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KJELL VARVIN
KJELL VARVIN
Solvikveien 18
N-1363 HØVIK
cell:+47 92824096
phone +47 67122809
varvin@gmail.com
The themes that are spurring my fantasy are the stages of development from the first signs of patterns up to the precious instant of their fulfilment and then the following process of decay, where finally no pattern or order is recognisable. Especially intriguing are the processes of crystallisation. How it starts from zero and where the whole system suddenly seems to have accumulated enough energy to develop its special pattern. I like the thrill of observing the elements on the limit of equilibrium, the suspense just before collapse, where a fragile stability still holds the structures together.
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